SLOW AND SOFT AND RIGHTEOUS, IMPROVISING AT THE END OF THE WORLD (AND HOW WE MAKE A NEW ONE)
20,000원
Self published by Co—Conspirator Press with the support of Feminist Center for Creative Work.
Designed by MJ Balvanera, Riso-printed by Neko Natalia
5" x 7.5", 86 pages, perfect bound
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sonia louise davis’ slow and soft and righteous, improvising at the end of the world (and how we make a new one) spans five years of the artist’s writing. These collected texts take the shape of manifestos, scores, poetic essays and prose poems. Many were originally printed as giveaway posters at exhibitions of davis’ visual artwork and/or incorporated into her live performances. Marks from her graphic notation appear throughout the book. Improvisation is both an artistic practice and a critical methodology for davis. She states in the introduction: “I believe improvisation can be harnessed for the radical collective action needed to make the world we want to see.”
SONIA LOUISE DAVIS
(she/her) Born and raised in New York City, Sonia Louise Davis is a visual artist, writer and performer. She has presented her work at the Whitney Museum (NY), ACRE (Chicago), Sadie Halie Projects (Minneapolis), Visitor Welcome Center (LA), Ortega y Gasset (Brooklyn) and Rubber Factory (NY), among other venues. Residencies and fellowships include the Laundromat Project’s Create Change Fellowship (NY), Civitella Ranieri (Italy), New York Community Trust Van Lier Fellowship at the International Studio & Curatorial Program (Brooklyn), Culture Push Fellowship for Utopian Practice (NY), Lower Manhattan Cultural Council’s Workspace Artist in Residence Program (NY), and the Studio Immersion Fellowship at the Robert Blackburn Printmaking Workshop (NY). An honors graduate of Wesleyan University (BA, African American Studies) and alumna of the Whitney Independent Study Program, Sonia lives and works in Harlem.
sonia louise davis’ slow and soft and righteous, improvising at the end of the world (and how we make a new one) spans five years of the artist’s writing. These collected texts take the shape of manifestos, scores, poetic essays and prose poems. Many were originally printed as giveaway posters at exhibitions of davis’ visual artwork and/or incorporated into her live performances. Marks from her graphic notation appear throughout the book. Improvisation is both an artistic practice and a critical methodology for davis. She states in the introduction: “I believe improvisation can be harnessed for the radical collective action needed to make the world we want to see.”
SONIA LOUISE DAVIS
(she/her) Born and raised in New York City, Sonia Louise Davis is a visual artist, writer and performer. She has presented her work at the Whitney Museum (NY), ACRE (Chicago), Sadie Halie Projects (Minneapolis), Visitor Welcome Center (LA), Ortega y Gasset (Brooklyn) and Rubber Factory (NY), among other venues. Residencies and fellowships include the Laundromat Project’s Create Change Fellowship (NY), Civitella Ranieri (Italy), New York Community Trust Van Lier Fellowship at the International Studio & Curatorial Program (Brooklyn), Culture Push Fellowship for Utopian Practice (NY), Lower Manhattan Cultural Council’s Workspace Artist in Residence Program (NY), and the Studio Immersion Fellowship at the Robert Blackburn Printmaking Workshop (NY). An honors graduate of Wesleyan University (BA, African American Studies) and alumna of the Whitney Independent Study Program, Sonia lives and works in Harlem.
